Wednesday, March 23, 2016.
What Happened To Ethnic Music?
When I started writing about restaurants in 1972, there were very few ethnic restaurants around town. Leading the count were the Chinese, but with only sixteen reviewable places. (So, not counting Takee-Outee.) You could count all the Mexican cantinas on the fingers of one hand, but only one Spanish eatery and three Central American restaurants. The only ethnic category that was stronger then than now were the Greek spots--five then, one now. But there were zero Middle-Eastern restaurants then. Also no Japanese, Korean, Vietnamese, Thai, Indian, or African. Finally, one German eatery. (Can you name it in less than two seconds?)
All of these empty possibilities began to fill in the middle 1980s. The ethnic restaurants that appeared then weren't as good as the ones we have now. But they were more exotic, in part because every one played the music of its homeland. Even though most New Orleanians would have considered listening to an hour of German, Greek or Guatemalan music to be borderline torture, that stance changed if the listening were in a restaurant serving food from the same origins.
When did that change?
Last night, at the suggestion of a commercial in my radio show, I went for dinner to Poseidon, a new, mostly-Japanese restaurant on St. Charles Avenue near Jackson. (It's in the Carol Apartments, in the exact spot where the Versailles used to be a long time ago.) It is really too soon for me to go there for a formal review, but I was in both the mood and the neighborhood tonight. And I was intrigued by the commercial's claim that this was a sushi bar with other raw-bar offerings. Which proved to be an oyster bar, with the local bivalves both raw and grilled.
I'll get back to the food--which was good enough that I think the place might have legs--in a moment. But first, a few words about the background music. And even before that, I note that my wife Mary Ann--who has been out of town pampering our first grandchild in Los Angeles for three weeks, and who comes close to hating nearly all music--is rolling her eyes at my even noticing background music in a restaurant.
The music at Poseidon is light American pop. I find it irritating, but that's my problem, because if they played the kind of music I like (1920s jazz, to name one of my tastes), it would irritate many more people than just me.
Unless, of course, the music were Japanese. Or even Chinese or Vietnamese. (I have a Japanese friend who always notices when Chinese music is in the air of a Japanese restaurant.) I can't claim to listen to Japanese music at home. But in a Japanese restaurant, it seems not only right and enjoyable, but downright necessary for the full joy of the ethnic dining experience.
But not many sushi bars play Japanese music anymore. Why is this? Are the Millennials that intolerant of anything but their favored current music?
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