Good Friday, March 25, 2016.
Pile Of Oysters With Pecan Meuniere.
The radio show is cut short by an hour on behalf of a basketball game. When that happens on a Friday, with its usual large load of commercials, the content of the program is attenuated. I don't know where I might go for dinner in town anyway. So I remain on the North Shore, after a lunch of fried oysters with pecan meuniere sauce at New Orleans Food & Spirits. This is a variation on a catfish dish I had here about a week ago and very much liked. There is no small oyster platter here, so I eat the standard-size pile. Too much food, but this is the only meal I will eat today.
While eating, I read an excerpt of a memoir by the exemplary New Yorker Magazine writer Joseph Mitchell. I have read several of his books about the seamy side of New York in the 1930s through the 1960s. His craftsmanship to this day inspires writers at the New Yorker and, indirectly, me.
But Mitchell had a problem. In the mid-1960s, although he continued to show up at the office and put in a full day every day, he never published another piece for the New Yorker. I think he was spooked by his last big story, about a character who said he was writing the history of the world, but who was actually writing the same page over and over again. Every now and then I get the feeling that the same thing might happen to me. But I don't think I'm good enough, so for now I feel safe.
After today's two-thirds of a radio show, I find in my mail a note from Natalie Chandler, the editor of CityBusiness. She asked whether I would have a column for the April 1 edition. Ah! I have to do that. But I have never met Natalie or been in the CityBusiness office for many years. I hunker down and write the subject article, then send it to Natalie within a couple of hours. I check with her to see whether she is aware of the special nature of my column on that date. It's a certain literary approach that I've taken every year since 1981 in the business newspaper, and before that in Figaro in the 1970s. (CityBusiness was originally a spinoff of Figaro, as was Gambit.) The column will appear here in the New Orleans Menu Daily on the ordained date.
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Saturday, March 26, 2016. Eighty And Smiling. Bourré.
My big sister Judy's husband Walter turns eighty today. A party is hosted by his daughter (and my goddaughter) Holly. The entire Baby Boom generation of Walter and Judy's family is there save one who lives in Seattle. Generation X is missing five of its twelve members (three live on the West Coast, one is in Washington, D.C., and the fifth is having twins imminently). If I count right, five of the Millennials--most of them tweeners and twenty-somethings--are here today except for Jude's five-month-old son Jackson. I know about three-fourths of all these people, which makes this a pretty successful party. If I make it to eighty, I hope this many family people show up for the party. The party is in late morning, and I don't want to hang out on the South Shore for the radio show (two until four) or waiting for dinner (four till sixish). I head back home at noon, do the radio show from home, take a five-lap walk (the woods trail that would add another half-mile is dotted with deep puddles), take a shower, then a nap before dinner rolls around. My only meal of the day is at Bourré, a well-hidden, fairly new restaurant in Mandeville. There's something about the place that feels inviting, and most of that is in the bar. It's separated from the main dining room by a wall that allows conversations to be heard on the other side, particularly if one's voice carries, as did the voice of one guy who spoke continuously through the hour and a half I am there. Also carrying well from the bar (which connects with the kitchen) is music playing on a lo-fi sound system, playing what I will just say is not my kind of music. But what gives me the right to pick the music in an eatery? Sometimes I think it may be time for juke boxes to make a comeback. [caption id="attachment_51106" align="alignnone" width="480"]



